Mikhail Mokrushin
564 visitas
Abandoned Market (Walking Splats)
Tom
Demonstrates new Walking Splats feature.Doom in Unreal
TomDerelict Corridor - Megascans Sample by Quixel / moshpit.live Emulator: js-dos Engine: PlayCanvas / Arrival.Space360° DOME THEATER
Studio Nzambi北海道釧路市／釧路湿原 360°映像をドーム空間で体験できるシアターです。視点を動かして、周囲すべてに広がる映像をお楽しみください。 Experience a 360° video inside a dome-shaped theater. Look around and enjoy the immersive view surrounding you.Modern Love
Lorenzo Carly 🔜 BerlinaleThese scenes are extract of my short film Modern Love, Made in beginning of 2025. Direction: Lorenzo Carly insta: @lo_rnzo Starring: Ana Pogorelic insta: @ana._.pogorelicX Horde of Angels
Carla KnoppScene from "Morning on Earth", a series of virtual environments and videos featuring scenes of post-calamity calm and reflection. Music: "Opening" by Dave Scott aka wooferblastSplatworlds by Carla Knopp
Carla KnoppAround 2014 Carla Knopp transitioned from traditional painting into virtual world building, using game environments to build immersive environments. Newer processes such as Gaussian splatting lend a fluidity to building these worlds, similar to painting in process and aesthetics. These Hub suites demonstrate 3 approaches for using splats in art-making. Presented at Immersive X 2025, Session: "Creating Artworks With Gaussian Splats", Nadia Bey, Carla Knopp, Lisa EggerCentral point
nadiairrealCreating my works, I use technologies to dissect the fabric of physical and digital realities. I form a kind of labyrinth - one that each viewer can enter to whatever depth they need, and emerge from with greater empathy toward the surrounding world, themselves, and others.Washiiwa at Yokoya ravine
STUDIO DUCKBILL"鷲岩"(The Eagle Rock) at Yokoya ravine in Tateshina, Japan.VR optimized - ROOM_02
Schindelar3DTesting VR splat experienceFalenty_palace
tvisFalenty Palace, near Warsaw, is a 17th-century Baroque residence later rebuilt in eclectic Neo-Gothic style. Surrounded by ponds and parkland, it now houses a research institute and awaits restoration.
